The events involve works on canvas from Tim Beeby’s ongoing series Inks –  hung on the wall in the conventional manner but also accompanied by stacks of similar works leant against the wall. Both the hung and stacked works remain unsigned, untitled and undated. Visitors are invited to select a canvas from the exhibition, which they will be able to take away with them, free of charge.


Alternatively, visitors can have their canvases signed, dated and titled by the artist and acquire it at the standard market price. All signed works being acquired at market price will be photographically documented and listed in an digital catalogue, and each purchaser will receive a certificate of authenticity. Unsigned works in contrast will not be photographically documented or recorded by any other means. In terms of materials used and aesthetic value, the unsigned and signed groups of work are indistinguishable.


Leaving work unsigned, untitled and undated and making them available free of charge is a simple yet radical gesture, breaking with the western cultural convention of signing works of art before they enter commercial or institutional systems. Even if an unsigned work’s economic or institutional value has been seriously compromised or even completely abrogated, it still retains perhaps its most important value, its aesthetic one, which remains the same as that of its signed counterparts. In art historical terms such a process reverses that of the readymade. Whilst the latter is an everyday object which in being signed by the artist becomes an art object, the unsigned canvas on leaving the spaces of art (the studio, the gallery) becomes just one more object amongst an everyday world of unsigned objects.


The unsigned canvas nevertheless retains something of the aura of a work of art, in that a stretched canvas has but one purpose, that of a support for art, namely painting, differentiating it from all other supports, media and materials used in the production of art or indeed all other objects in the world.

Copyright of the complete website: Tim Beeby

Kontakt:

E-mail: tim.beeby@t-online.de

Tel: ++49 (0)201 774020

Installation views Unsigned Untitled Undated | November 2017 Haus 1, Berlin
home >>>home.html
 unsigned untitled undated

14 –17 June 2018

galerie bechter kastowsky | Vienna

Installation views Unsigned Untitled Undated | galerie bechter kastowsky | Vienna

23 – 26 November 2017

Haus 1 | Berlin

Berlin
 unsigned untitled undated
Vienna
unsigned untitled undated
Pressebericht Parnass >>>Parnass_3.html
Pressebericht Südkurier >>>Ein_Bild_ist_ein_Bild_3.html
Pressebericht DIE ZEIT >>>Tim_Beeby_Unsigned_DIE_ZEIT_3.html
English translation of the article from DIE ZEIT >>>Tim_Beeby_Unsigned_DIE_ZEIT_e.html
PRESS:
PRESSE:
13.–16. September 2018
Goltsteinstr.49 | Cologne
 unsigned untitled undated
Cologne
Installation views Unsigned Untitled Undated | Goltsteinstr.49 | Cologne